Pete Carroll was among the circle of U.S. war correspondents whom Jack Lieb documented in the spring of 1944 in England with his private 16-mm Kodachrome camera during the preparation phase of D-Day. Accredited war correspondents wore their own badge and accompanied the Allied forces under military status without being combatants themselves. Lieb’s color footage of this group of journalists—which included Ernie Pyle and other notable reporters—are rare color testimonies of a context otherwise transmitted almost exclusively in black and white.